A Concert of Scotland
Paintings
In late August of 2007
Marta and I traveled to Scotland, first to
instruct a ten day "en plein air" painting
workshop for the Jack Richeson Company that
centered out of the central Highland village
of Blair Atholl. Then we extended our
stay exploring the fishing villages of the
east coast Kingdom of Fife and later the
west coast of Arisaig and Mallaig and the
Isle of Skye. I painted daily on location
with varied subject matter of the Scottish
villages and countryside, harbors and boats,
castles, flowers, lochs, sheep and heather-covered
mountainsides. This exhibition opening February
16, 2008 shows the paintings done during
this time. Although each painting was started
on-site and taken approximately 85% toward
the completion at that time, each painting
was completed at the end of the travel back
in my studio in Colorado.
Impressions of Scotland
The people of Scotland are
close to their place on earth, appreciative
of their heritage, and love their daily lives
and work. The country is wild, yet soft and
wise. Light hangs in the evenings and there
are many moods and colors. It can be dark
and ominous, deep violet. It can be light
and pastel, mystical and yellow. The landscape
is diverse.
The eastern Kingdom of Fife
is dotted with historic, working fishing
villages. The people of these places are
busy, out fishing mainly for crab, shrimp,
and lobster, or are repairing their vessels
and mending their nets. Their catch is
taken on Tuesdays collectively to the west
coast of Spain. Many villages have their
own nine-hole golf courses, situated right
on the coastline with creative layouts, and
have tiny golf club buildings with “honor
system” fee
boxes. It is in this region, at St. Andrews,
that the game of golf had its genesis centuries
ago. The landscape of Fife is rolling, pastoral,
and seemingly groomed. We stayed in a flat
on the harbor in Pittenweem; nearby, within
walking distance on a coastal path, were
the villages of St. Monans, Anstruther, and
Crail.
The Highlands are sometimes
wild and isolated in the Cuillins Mountians,
gushing with cascades and waterfalls and
blanketed with heather, yet few trees. The
areas around the lochs are lush and verdant,
the hillsides and meadows dotted with sheep.
The autumn color in this region is a mix
of the violet heather changing to gold, the
deep green bracken changing to rust.

(Each image may be enlarged for a better
view of its details.)
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Cascading
Falls, Ben Lawers
Framed: 35 x 25½ inches
Image: 27 x 17½ inches
Transparent Watercolor
$2750
I did
this piece in the wilds of the Scottish
Highlands near Ben Lawers Park. I
imagined doing a thousand paintings
here among the cascading waterfalls,
aqua green pools, red rocks, and heather.
I slid down the hillside, knee deep
in heather, to get to my spot by the
stream. It was open and unprotected
and very windy. I did much of this
painting on my knees to keep the board
from flying away. I was most interested
in the composition, the positioning
and breakup of space. |
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Sheep
Pastoral, Blair Atholl
Framed: 29½ x 22½ inches
Image: 21½ x 14½ inches
Transparent Watercolor
(SOLD)
I did
this painting at the east edge of Blair
Atholl village, beside a meadow. Light
and shadow played down the hillside
with a few Scottish cottages partially
exposed through the trees. Black faced
sheep, certainly symbolic of the Scottish
Highlands, grazed in the field where
I set up. |
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Glamis
Castle Monument & Ivy
Framed: 29½ x 22½ inches
Image: 21½ x 14½ inches
Transparent Watercolor
$1400
Glamis
Castle, located in the southeast of
Scotland, is the childhood home of
the “Queen Mother” of Great
Britain , who died at the age of 102
in 2002. There are long rolling green
parks surrounding the castle, and outside
the grounds is a beautiful small village.
I chose to paint the ivy covered lion
monument that was located in front
of the castle. My inspiration came
from the sunlight on the ancient sculpture
contrasted against the strong color
and texture of the ivy. |
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Heather
Hillside near Sma' Glen
Framed: 25 x 35 inches
Image: 17 x 27 inches
Transparent Watercolor
(SOLD)
In
the Highlands there are remote single
carriage roads with pullout passing
places. On one such road, over a mountain
pass, I discovered a hillside covered
with heather in full bloom. I went
through a gate and stood knee deep
in the heather and autumn bracken to
do this piece. |
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Flowers,
Kenmore #2
Framed: 17¼ x 18 inches
Image: 9¼ x 10 inches
Acrylic
(SOLD)
I did
this painting of a hanging planter
in the small Highland village of Kenmore.
For me, one of the unexpected discoveries
of Scotland was the wealth of gardens
and flowers everywhere. I don’t
believe I have ever been so inspired
by the colors and shapes of plant life
as I was all throughout Scotland. |
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Bridge
by Blair Castle
Framed: 35 x 25¾ inches
Image: 27 x 17¾ inches
Transparent Watercolor
NFS
Adjacent
to Blair Castle is a majestic ancient
forest, cascading stream and an old
stone arched bridge. I was inspired
by the light, shadows, and texture
of the stone bridge against the variety
of green vegetation patterns surrounding
the arched pathway. |
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September
Garden, Blair Atholl
Framed: 19¾ x 32½ inches
Image: 11¾ x 24½ inches
Acrylic
(SOLD)
I discovered
this flower garden in the back yard
of a cottage in Blair Atholl. I studied
the random colors and patterns many
times during the first week of my time
in this village, and finally had the
opportunity to paint this subject.
I chose acrylic for my painting medium
because of its intense color and the
variety of ways in which it can be
applied. |
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Window
at Atholl Arms Hotel
Framed: 19¾ x 30½ inches
Image: 11¾ x 22½ inches
Acrylic
(SOLD)
Our hotel
had flower boxes in every lower window.
There were peonies and other flowers,
yellow to orange, blue to violet. I
wanted to paint these flowers from
the moment we arrived. Finally, I set
up in the parking lot to do this piece,
using acrylic. The medium has brilliant
color and can be applied in many diverse
ways—thick
to thin, opaque to transparent. An
important part of this painting is
the reflection of the flower patterns
in the window. |
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Stream
& Falls, Birks of Aberfeldy
Framed: 22½ x 22 inches
Image: 14½ x 14 inches
Acrylic
$1150
The
Birks of Aberfeldy is a park managed
by the Scottish National Trust. It
is a wooded site, rather dark and damp,
with cascading waterfalls. I set up
on a sloping hillside in the forest
and painted the rocks and water patterns,
beginning with a transparent, neutral
gray and built it up with opaque applications
of acrylic. |
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Study,
Late Evening, The Gyles, Pittenweem
Harbor
Framed: 20 x 27 inches
Image: 12 x 19 inches
Watercolor & Gouache
(SOLD)
Pittenweem
is a small fishing village located
one hour northeast of Edinburgh in
the Kingdom of Fife. Next to the small
flat we rented on the harbor, I set
about sketching, and did this study
of the evening lights in some cottages
called “The Gyles”, and
the reflections in the harbor. |
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Late
Evening, The Gyles, Pittenweem Harbor
Framed: 30 x 37 inches
Image: 22 x 29 inches
Transparent Watercolor
(SOLD)
On
the first full day in Pittenweem, I
did this study. I set up on the harbor
and referred to my sketch and color
study I had done the evening before.
While painting for the day, I had conversations
with some of the local fishermen and
the harbor master. They were all extremely
kind and complimentary, making it a
joy to work there. |
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Harbor
View, Crail
Framed: 36 x 26 inches
Image: 28 x 18 inches
Transparent Watercolor
(SOLD)
I spent
the day painting in Crail, five miles
from Pittenweem, with my friend and
painter Lou Morton. We set up at the
edge of the pier, not far from fishermen
unloading catches of lobster. I was
interested in the low tide, dry docked
boats, the stone pier wall, and the
red and ochre stone buildings in the
upper part of the painting. People
ambled down the street to the harbor
from the village. |
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Rooftops
& Harbor View, Pittenweem
Framed: 19¾ x 29 inches
Image: 11¾ x 21 inches
Acrylic
(SOLD)
Pittenweem
is located on a hillside sloping down
to the harbor. There are a number of
walkways connecting the upper part
of the village and shops to the lower
part of the harbor. There are a few
vantage points overlooking the marvelous
views of the rooftops, harbor and fishing
vessels, and the sea beyond. I set
up in one of these spots and did this
piece in acrylic. |
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